Oral historian Roz Bornstein interviewed Frieda Sondland on May 1 and 17, 2001 in Mercer Island, Washington as part of the Jewish Womenâs Archive "Weaving Women's Words" project.
A designer of haute couture, Frieda Sondland used her creative skills to survive the Holocaust. Born in Berlin, Germany in 1921, she married Gunther Sondland when she was sixteen and a half years old. When she was seventeen, and pregnant with her first child, Frieda and her parents were forced to leave Germany for South America. Frieda supported herself and her daughter by working as a clothing designer in Montevideo, Uruguay. Eight years later, Gunther joined them. Frieda and Gunther moved to Seattle in 1953 to reunite with Guntherâs family who had emigrated there after the war. In Seattle, Frieda worked in the alterations department for both John Doyle Bishop, and Frederick and Nelson until she and Gunther opened their dry cleaning and alterations business in West Seattle. In 1957, their son, Gordon, was born. Since arriving in the United States, Frieda has become a beloved and active member of Seattleâs Jewish community.
Frieda Sondland photo: Credit Joan Roth. Joan Roth's website
In the early 2000s, the Jewish Women's Archive conducted oral history interviews with 30 Jewish women living in Baltimore and another 30 in Seattle. Born in the early decades of the 20th century, these women lived through decades of political, social, and economic upheaval, as well as dramatic changes in expectations and opportunities for women. Doctors and lawyers, teachers and saleswomen, judges and social workers, homemakers and community volunteers, the narrators represent a wide range of backgrounds, affiliations, and experiences of American Jewish women. To find out more and to see the online exhibits based on this project, visit Jewish Women's Archive/baltimore and Jewish Women's Archive/seattle
The complete audio recordings and transcripts of the interviews are available on the Internet Archive.
This project was made possible in part by major grants from the National Endowment for the Humanities, the Brenda Brown Lipitz Rever Foundation, and the Jacob and Hilda Blaustein Foundation, Inc. In Baltimore, the project was a collaboration with the Jewish Museum of Maryland; in Seattle, with the Museum of History and Industry.